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中國當代水墨人物畫初探
畢業(yè)論文
摘 要
中國當代水墨人物畫是傳統(tǒng)水墨人物畫的發(fā)展和延伸，起源于210世紀810年代，其探索中通過打破傳統(tǒng)繪畫的布局格式，追求筆墨形態(tài)的多樣性，表現(xiàn)題材的廣泛性等來表現(xiàn)自己的審美意蘊。在“筆墨當隨時代”的藝術理念中，當代水墨人物畫如何緊跟時代潮流，很多中青年畫家做了辛勤的學理探索和創(chuàng)作積累，并且已經(jīng)初見成效。人物畫在寫生實踐中努力嘗試這些原則，必將水墨人物畫推向1個新的高度，從而豐富人物畫藝術的創(chuàng)作。
關鍵詞：水墨；人物畫；實驗；繪畫
ABSTRACT
The current washing painting of figures develops and extends the traditional washing painting of figures. It appears in 1980s. The current washing painting of figures expresses aesthetics connotation by break the structure and form of traditional painting, the diversity styles of brushstrokes and varies themes. How does current washing painting of figures cater to the fashion in the conception of brushstrokes match times? Many young painters has made progress in this filed by study theories and practices. Washing painting of figures will reach a new highness, because painters try the rules in the practice of figure painting. There will be more and more figures paintings.
Key words: washing; figure painting; practice; painting
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